|

"The Turtle Journal"
Volume 10, Week of May 12, 2002
This issue is dedicated to Poetry
and to Mothers all around the world.
Quote of the Week
For, lo, the winter is past
The rain is over and gone;
The flowers appear on the earth;
The time of the singing of birds is come,
And the voice of the turtle is heard in our land.
From the Bible, contributed by Alan and Deidre Scott of
Chicago.
Here in Boston (and in many other places I imagine) we are
hoping for more rain, as it has been a
dry winter. But let us celebrate Spring, whether it is rainy or sunny, with
flowers and trees in
bloom (Mother’s Day is "Lilac Sunday" at the Arboretum). For some,
Spring means starting to
work and play outside more. For those of us who used to folk-dance in Racine
(and some still do)
and for the children and families of Waldorf schools around the country, Spring
means dancing
around the May Pole and watching the age-old skit of "Lady Spring"
chase away "King Winter".
However you celebrate spring, may it be bring you much joy.
Another way to celebrate Spring is to read and write poems, so
here goes.... Some of the poetry
you will find included is by yours truly (and may be familiar to some of you, as
I am using poems
form the past...) and some are by friends and others are by favorite well known
poets. If you miss
your favorite poem or want to publish one you have written, consider sending it
to me for a future
Turtle Journal Poetry issue! Enjoy!
Spring Buddha
By Bob
Buddha sits
big belly, green heart
laughing, from ear to ear
The poems on this page are by a dear friend, Barbara Collignon.
She and her husband and Marc live in
Milwaukee, Wisconsin. When we were all a lot younger, I remember one of my
favorite things to do with
Barbara was to run along the beach of Lake Michigan, flying kites. Barbara
recently sent me some of her
poems. Here are three of my favorites for celebrating Spring and to take us into
Summer:
Cosmic Cosmos
Consider the
Cosmos:
Its celestial name,
Its simple petals
Its little frame.
How pink, magenta,
White and rose,
Opaque,
Translucent,
Its blossom grows.
Terrestrial Bloom
By light transformed,
By rain anointed,
By dew adorned.
Face uplifted,
It levitates
And all the Cosmos
Contemplates.
Matins |
White Irises
They
drank from snows of winter
To spin their robes of
white.
They sipped the rains of springtime
To weave their shifts so light.
They bathed in pearls of morning dew,
The robin’s song distilled,
To fashion capes of pearly hue,
Their promise to fulfill.
White iris in the moonlight,
We bend beneath the tree
To wonder at your beauty
No purer flower than thee!
White iris, guileless,
Blameless, pure,
Like floating swans in mirror ponds
Ephemeral nymphs in bridal white,
Chaste and lustrous,
Snowy sprites,
Under starlit skies now cluster.
Lovely divas, Oh what luster! |
Tangles of branches,
Angles of twigs,
Rambles of blossoms,
Scrambles of sprigs
Make
Chapels for sparrows and
Chancels for crows,
Steeples for cardinals and
Jubes for squirrels.
The canopy
Is panoply
For cacophonous
Polyphony.
April Moon
by BOB -from April, 2000
It’s nine p.m. and the pitch hasn’t set in quite.
As the low, indistinct shadows hang looming,
I come rolling down the hill
And meet dead on ORANGE FIRE
As big as a house, alarming and ALIVE.
SELENE, luminescent in the sky,
Sets ABLAZE Jamaica Pond (ere this dazing, My Cooling Comfort)
And trumpets Her dispatch,
As I stand bemused, ‘twixt real and surreal.
O Sacred Orb, Queen of the Night,
Full of splendor and delight,
Puffed-up in a rage, You charge:
"Hail the Harvest; Gather and Behold!"
You light my way back to then and NOW
You fill me with awesome fright,
Finally, You tickle me inside,
Fooling me with Your April Gold.
As many of you know the Haiku are among my favorite poems to try to write. If
one
is successful, it captures a snapshot of the imagination.
5 Haiku
by BOB
Hot days, June flowers
We’ve still a full month of May
What wonder sprouts next?
5/11/93
sudden scent of spring
amid pouring thunder claps
a waft of
lilac
May,
2000
shimmering water
seals at play playing seal games
one fish two fish three
8/16/2000
calla lily white,
nectars seep, stamen erect
bees are you ready?
8/16/2000
ducks in a frenzy
Jamaica Pond feeding time
none left for slowpokes
8/17/2000
Following, are a few poems from two Japanese Masters, translated
and edited by Robert Hass, from a book
called "The Essential Haiku", (Ecco Press). The first are by
Yosa Buson (1716-1783), who was a master
painter as well as calligrapher/poet. These first three verses (out of eighteen)
are excerpts from a longer
poem, which he describes his journey along the Yodo River on a day when he met a
young woman.
Matsuo Basho (16644-1694) was known to have reinvented the forms
of Japanese poetry during his
lifetime. He studied the great Chinese Masters and brought more depth and
seriousness to his new and
transformed art. Here are some samples of his lyric Haiku. The last three are
from Buson again. Because
of the translations, these Haiku do not follow the strict seventeen-syllable
form with which you may be familiar.
Spring Wind of the Riverbank at Kema
11) Dandelions blooming –three and
three, five and five.
Five and five –yellow. Three and three –white.
I
remember that, another time, I took, this road.
12) Endearing flower: I pick a
dandelion,
White
milk spilling from the short stem.
13) Long, log ago
my
mother’s tender care-
I
think of it eagerly.
Held
close to her breast-
That
was another kind of springtime.
Basho:
Stillness-
the cicada’s cry
drills into the rocks
Spring going-
birds weeping, tears
in the eyes of fish.
A village without bells-
how do they live?
spring dusk.
The beginning of art-
a rice-plating song
in the backcountry.
Buson:
Not a leaf stirring:
frightening,
the
summer grove.
Escaped the nets,
escaped the ropes-
moon on the water.
Calligraphy of geese
against the sky-
the moon seals it.
Most Poetry should be read aloud and indeed it has been a very
gratifying experience for
Ginny and me to be part of poetry readings with other students and admirers of
poetry
of all ages and to read aloud to each other. On the next pages are a few of our
most
beloved poems to be read aloud. For lack of space I cannot publish the many,
many more that we adore!
From Emily Dickinson (most of her poems are without titles):
|
The Bee
Like trains of cars on tracks of plush
hear the level bee:
A jar across the flower goes,
Their velvet masonry
Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.
His feet are shod with gauze,
His helmet is of gold;
His breast, a single onyx
With chrysoprase, inlaid.
His labor is a chant
His idleness a tune;
Oh, for a bee’s experience
Of clovers and of noon.
Death is a dialogue between
The spirit and the dust.,
"Dissolve," says Death.
The Spirit, "Sir, I have another trust."
Death doubts it, argues from the ground.
The Spirit turns away,
Just laying off for evidence,
An overcoat of clay.
|
I
never saw a moor,
I never saw
the sea;
Yet know I how the heather looks,
And what a wave must be.
I never spoke with God,
Nor visited in heaven;
Yet certain am I of the spot
As if the chart were given.
The bee is not afraid of me
I know
the butterfly;
The pretty people in the woods
Recieve me cordially.
The brooks
laugh louder when I
come,
The breezes madder
play.
Wherefore, mine eyes, thy silver mists?
Wherefore, O summer’s day?
|
The Tyger
by William Blake
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp?
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye,
Dare frame thy fearful symmetry?
Jabberwocky
by Lewis Carroll
‘Twas brillig, and the slithy troves
Did gyre and gimble in the wabe;
All mimsy were the borogroves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!"
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The fumous bandersnatch!"
He took his vorpal sword in hand:
Longtime the manxome foe he sought-
So rested he b the Tumtum tree
And stood awhile in thought.
And as in uffich thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!
One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead and with its head
He went galumphing back.
‘And hast thou slain the Jabbverwock!
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!’
He chortled in his joy
‘Twas brillig, and the slithy troves
Did gyre and gimble in the wabe;
All mimsy were the borogroves,
And the mome raths outgrabe.
In honor of Gin and Jan’s visit to his cabin in the desert, (while John and I
played chess in the
sun) here is a s prose-poem from D.H. Lawrence:
Mystic
They call all experience of the senses mystic, when the
experience is considered.
So an apple becomes mystic when I taste in it
the summer and the snows, the wild welter of the earth
and the insistence of the sun.
All of which things I can surely taste in a good apple.
Though some apples taste preponderantly of water,
wet and sour and some of too much sun,
brackish sweet like lagoon-water,
that has been too much sunned.
If I say taste these things in an apple, I am called mystic,
which means liar.
The only way to eat an apple is to hog it down like a pig, that is real.
But if I eat an apple I like to eat it with all my senses awake.
Hogging it down like a pig, call feeding the corpses.
This poem appeared in Ann Landers’ column. I saw it at least twice in the past
at times when it was very
helpful to me. I just found it again the other day –it was another little
miracle...and it helps me to
remember what I believe in and how much love there is for us!
"And God Said No"
by Claudi Minden Weisz
I asked God to take away my pride,
And God said, "No." He said it was not for Him to take away,
but for me to
give up.
I asked God to make my handicapped child whole,
And God said, "No." He said her spirit is whole, her body is only
temporary.
I asked God to grant me patience,
And God said "No.", He said patience is a byproduct of
tribulation.
It isn’t granted, it’s earned.
I asked God to give me happiness,
And God said, "No." He said He gives blessings,
happiness
is up to me.
I asked God to spare me pain,
And God said, "No." He said. "Suffering draws you apart from
worldly
cares and brings you closer to Me."
I asked God to make my spirit grow,
And God said, "No." He said I must grow on my own,
but
He will prune me to make me fruitful.
I asked God to help me love others as much as he loves me,
And
God said, "Ah, finally you have the idea."
To close this Turtle Journal I want to express for Ginny and me
our deep gratitude to all of
you that have helped us in so many ways. The support and love keep flowing
abundantly to us
–and it makes a difference that you may not know or imagine! There is no
"update " for this
issue, except to say that everything is moving faster than our little turtle
legs can keep up
with, and we have to loosen our shells from fitting too tightly –often-but
with God’s grace,
everything is moving very smoothly too. Here is a final prayer to end the
journal, by
Barbara Collignon. We offer it to all of you.
A Prayer for You
May sunshine sweep the secret places
Where memories are stored and banish all shadow.
May moonlight cool your troubled brow.
May blossoms resplendent restore your spirit and
Their fragrance heal your soul.
May the roses in your mind’s garden grow without thorn
And strength and hope by peonies be borne.
~LOVE & HELP IS ALL AROUND~

|